Which camp do you belong in?<\/p>\n
Do you listen to music or television when you’re writing or do you demand ultimate silence?<\/p>\n
I myself find a happy medium between the two. When composing a story or outline for the first time, I almost always grab inspirational music that echoes either a character’s personality or the time frame of the piece I am writing. \u00a0For example: This week I’m working on an outline for an edu-tainment<\/em> comedy script I’ve been hired to write. The main character is Southern and from Texas. She’s old school polite and I feel as if she might lock herself up in her room and listen to Patsy Cline records thereby releasing her pent up emotions from the day. \u00a0I suppose I’ll get my fill of Miss Cline by the time I’m done (if that’s possible, she was an amazing artist). <\/p>\n I will also listen to songs or soundtracks from other movies that set the same tone as my film and consequently, I find myself listening to Carter Burwell’s compositions [Adaptation, No Country for Old Men, Being John Malkovich, etc]. His music can be like a watercolor painting that hangs on the wall behind you. You know it’s there with beautiful muted tones, yet it doesn’t interfere with your work.<\/p>\n Here’s an example: \u00a0A piece from Where the Wild Things Are. \u00a0Without the film to push the soundtrack, I would still buy this album. His music moves me to write.<\/p>\n